글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.

The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.

Given that many people do not need sufficient blood to interact in strenuous activity that has a full stomach, your body will rebel to begin with by making you really feel awful, but this is an expected response. I desire the group to truly feel itself well treated, Especially as it lives and lets me Are living; The posts are established, the booth of boards accomplished. Ye crowd more in the vicinity of! My very own activity is cheered by the invention, the a lot more intently I reproduced the language of the initial, the more of its rhythmical character was transferred concurrently. I come to feel impelled, its which means to ascertain,-- With trustworthy objective, at the time for all, The hallowed Initial To change to my beloved German. Perfectly-manufactured you're, 'tis never to be denied, The rest a bold tackle will win you; For those who but in oneself confide, At once confide all Some others in you. Consequently, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- Which is my right factor. Hayward's solely omits the factor of poetry.

Hayward's ear didn't dictate to him the necessity of preserving the original rhythm. I honor him for your individual and conscientious labor he has bestowed upon his translation,--I are not able to but feel that he has himself illustrated the unsoundness of his argument. Poetry is just not only a vogue of expression: it is the kind of expression Definitely essential by a particular class of ideas. The English ear is suspicious of recent metres and unaccustomed sorts of expression: you will discover important detectives about the track of each author, and a violation of your approved canons is accompanied by a summons to judgment. In Poetry which endures by way of its very own inherent vitality, there isn't any compelled union of these two aspects. The creator's imagined is stripped of A final grace in passing by means of his intellect, and regularly offers very much precisely the same resemblance to the first being an unhewn shaft for the fluted column.

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